[IMG-HERO-01]
PHOTOGRAPHER · SAIGON · QUEER WORK
I photograph the bodies that aren't supposed to be seen.
I am not documenting suffering.
I am documenting love,
and how it survives in the gaps
between what is allowed.
— Luca Vienne
[IMG-MANIFESTO-01]
[IMG-MANIFESTO-02]
[IMG-MANIFESTO-03]
[IMG-MANIFESTO-04]
[IMG-MANIFESTO-05]
[IMG-MANIFESTO-01]
[IMG-MANIFESTO-02]
[IMG-MANIFESTO-03]
[IMG-MANIFESTO-04]
[IMG-MANIFESTO-05]SERIES 01 — GOLDEN HOUR BOYS
Golden Hour Boys
Rooftop portraits of queer men in Ho Chi Minh City. Shot between 5:00 PM and 6:30 PM, when the city turns gold and everything becomes possible for exactly ninety minutes.
[IMG-GHB-01]
[IMG-GHB-02]
[IMG-GHB-03]
[IMG-GHB-04]
[IMG-GHB-05]
[IMG-GHB-06]SERIES 02 — THE WET SEASON
The Wet Season
Monsoon season documentation. Men caught mid-stride in Saigon's downpours. Shot entirely in natural light — no umbrellas allowed.
[IMG-WS-01]
[IMG-WS-02]
[IMG-WS-03]
[IMG-WS-04]
[IMG-WS-05]
[IMG-WS-06]SERIES 03 — BEDS I'VE SLEPT IN
Beds I've Slept In
Morning light. Crumpled sheets. The specific tenderness of queer domesticity in borrowed spaces across Southeast Asia. These are not my beds. These are the beds that let me in.
[IMG-BEDS-01]
[IMG-BEDS-02]
[IMG-BEDS-03]
[IMG-BEDS-04]
[IMG-BEDS-05]SERIES 04 — CARNIVAL / CARNAVAL
Carnival / Carnaval
Pride parades, drag performances, and community celebrations across Vietnam and Southeast Asia. Color as resistance. Joy as political act.
[IMG-CARN-01]
[IMG-CARN-02]
[IMG-CARN-03]
[IMG-CARN-04]
[IMG-CARN-05]
[IMG-CARN-06]SERIES 05 — INVISIBLE BOYS
Invisible Boys
Black and white. Rural Vietnam. Teenagers and young men navigating desire in places that have no language for it yet. Shot on film.
All subjects photographed with full consent and anonymized where requested.
[IMG-IB-01]
[IMG-IB-02]
[IMG-IB-03]
[IMG-IB-04]ABOUT THE PHOTOGRAPHER
Luca Vienne
Born to a Vietnamese mother and a French father he barely remembers, Luca grew up learning to disappear — and then learning to look. His camera became a way to stay in rooms he wasn't supposed to be in. Now he points it at men who hold each other in alleys and on rooftops and in borrowed beds.
His photography lives in the space between documentary truth and romantic mythology. He is not interested in the sanitized version of queer life. He is interested in sweat, laughter, tenderness, and the specific way a man looks at another man when he thinks no one is watching.
WHAT I BELIEVE
Let's make something together.
I'm open to editorial projects, queer zines, community documentaries, and commissions that matter. I'm not particularly interested in weddings.
luca@lucavienne.com